Presonus AudioBox 22vsl USB Audio Interface Singer/Songwriter & YouTube Recording Package
- (1) Presonus AudioBox 22VSL USB 2.0 Recording Interface
- (1) Samson CO1 Microphone SR850 Headphones Bundle
- (2) 20 Foot XLR to XLR Microphone Cable
- (1) Ultimate Support-jsmcfb100 Boom Microphone Stand
- (1) Samson PS01 Pop Filter PS 01 PS-01 NEW
- (1) Audix F9 Small Diaphragm Condenser Microphone
- (1) Ultimate Support JS-MC TB50 Tripod Mic Stand JSMCTB50
Presonus AudioBox 22VSL USB 2.0 Recording Interface
The AudioBox 22VSL introduces a new generation of PreSonus USB 2.0 audio/MIDI interfaces that take hardware/software integration to the logical next step. Using your computer CPU and PreSonus Virtual StudioLive™ (VSL) software, AudioBox VSL-series interfaces provide reverb and and delay effects and the same Fat Channel compression, limiting, semi-parametric EQ, and high-pass filter, as the PreSonus StudioLive™ 16.0.2 digital mixer— all with inaudible latency. Now you can monitor and record with or without real-time dynamics processing and EQ!
What’s so great about effects and processing on monitors?
Tracking without hearing effects and signal processing is like playing a video game with your eyes closed. Musicians rely on aural cues when performing, and their performance can vary depending on what they hear in their monitors. Adding just the right amount of compression, EQ, and reverb can make a huge difference in their ability to hear themselves clearly and to experience their performance as if it occurred in a natural space rather than in the artificial sonic environment of the studio. The result is a better performance and ultimately a better recording.
You have plenty of effects plug-ins for your DAW, but processing audio with a DAW takes more time than you might think. True, we’re talking milliseconds, but it’s long enough that if you put DAW effects in your studio monitors, you’ll hear the original sound slightly before the processed signal, which is very disorienting. That much delay might be acceptable for live gigs, where the band is playing together in an ambient space that has natural delay. But you can’t record that way in the studio.
Fortunately, our engineering wizards have dramatically reduced processing delay in the AudioBox VSL series. The result: dynamics processing, EQ, reverb, and effects that feel real, with no audible delay.
And if you like what you hear, you can record with AudioBox VSL-series effects, too! These are the same high-quality StudioLive 16.0.2 Fat Channel dynamics processors and EQs that professional musicians, engineers, and producers record with every day.
Great processors are a PreSonus tradition
We didn’t invent the first audio interface with effects. We simply did it better and for less money. Sure, some interface manufacturers that don’t normally make signal processors have added a compressor, EQ and a few effects to their interfaces. But the AudioBox VSL series provides all that, plus a separate limiter, expander, and high-pass filter—and we’ve been making high-quality signal processors since 1995. The AudioBox VSL-series’ Virtual StudioLive (VSL)-based effects and Fat Channel processing have been extensively field-tested and proven popular by tens of thousands of StudioLive™-series mixer users, including many top professionals.
Of great importance, thanks to VSL’s drag-and-drop convenience, adding processing and creating and loading presets is easy. Pro-level processing and superior ease of use mean you’ll get better results and have more fun!
High-end sound in a portable, roadworthy interface
Bus-powered, compact, and rugged, the AudioBox 22VSL offers two convenient front-panel mic/instrument combo inputs with global phantom power and provides two line-level outputs. It sports the same high-headroom Class A XMAX™ preamps as the StudioLive mixers and has 24-bit, 96 kHz converters with 114 dB dynamic range for clear, clean audio. And it boasts PreSonus’ legendary 150 mW headphone output, which is loud enough to explode the oysters in a Po’-Boy sandwich. (Be careful with your level control!)
When we tell you we made the AudioBox 22VSL “rugged,” we’re not fooling! It employs the same heavy-duty steel case as the original AudioBox USB—the unit we famously stomped, kicked, and drove over with a full-size truck before using it to make a very nice recording. (You can witness this in the video AudioBox USB Built for the Road.) Now that’s what we call “roadworthy.” And this mighty mite fits in just a third of a rackspace and can be screw-mounted to a standard rack tray (not included).
The flexibility and power of software
VSL enables you to easily manage the processing and mixing from your Mac® or Windows® PC and provides editor/librarian functions, making it simple to create and use a library of presets. To get you started, we’ve included the same library of more than 50 Fat Channel presets that comes with StudioLive mixers. These presets were created by professional musicians and engineers and let you instantly set up dynamics processing and EQ for vocals, guitar, and much more.
Seamlessly integrated with the included Studio One™ Artist DAW and VSL, the AudioBox 22VSL interface works with virtually all Mac and Windows audio-recording software. And unlike most things nowadays, it’s very easy on your budget.
So get the next-generation USB 2.0 interface that gives you real-time, low-latency effects; rock-solid construction; and high-end audio for low-end prices: AudioBox 22VSL!
Samson CO1 Microphone SR850 Headphones Bundle
Great for recording vocals, acoustic instruments and for use as overhead drum mics, the new Samson C01 large diaphragm condenser microphone is accurate, detailed, and smooth with warm bass and extended top end.
This sturdy microphone has a large 19mm diaphragm that produces a smooth flat frequency response. It features a heavy gauge mesh grill screen, a gold plated XLR connecter and an LED indicating 48V phantom power. The unit includes a swivel stand mount and an optional SP01 shockmount is available.
SR850 Professional Studio Reference Headphones
Samson's SR850 studio reference headphones offer an excellent listening solution for musicians, sound engineers and general music enthusiasts. With outstanding bass response and clean, clear highs, the SR850s ensure complete comfort and accurate monitoring performance.
The semi-open design of the SR850s provides an enhanced ambient listening environment, allowing appropriate bleed for better stereo imaging and a wider sound stage. The 50mm drivers also offer exceptional sound reproduction and wide dynamic range to instill confidence in your final mix or simply provide outstanding sound quality for your general listening pleasure.
With a self-adjusting headband for a secure, natural fit, the SR850s provide total comfort for extended listening and monitoring sessions. And an 1/8-inch to 1/4-inch gold plated adapter is included for convenience and flexibility. When it comes to enjoying your music or mixing for a professional result, the SR850s combine comfort with professional performance.
20 Foot XLR to XLR Microphone Cable
20 Foot XLR M to XLR F Microphone Cable
Ultimate Support-jsmcfb100 Boom Microphone Stand
Onstage or in the studio, you need a mic stand you can rely on. The Tripod Mic Stand with Fixed-Length Boom resists tipping and is built tough to withstand every-day use. The powder-coated finish is scratch resistant to maintain its appearance, even on the most rigorous tour or recording schedules. Easily adjust the Tripod Mic Stand with Fixed-Length Boom to perfect height with the traditional turn clutch. Also available in a 6-pack.
Samson PS01 Pop Filter PS 01 PS-01 NEW
This nylon mesh screen reduces P-popping and helps to keep your microphone clean and sanitary. Position it how you like thanks to the flexible metal goose neck. Comes with universal mic stand mounting bracket
Audix F9 Small Diaphragm Condenser Microphone
Fusion Series - Condenser Instrument Microphone
The f9 is a professional pre-polarized condenser microphone used for
stage and studio applications.
The f9 is known for its clear, accurate response particularly in the upper frequency range. Ideally suited for a wide variety of acoustic instruments, the f9 is an excellent choice for cymbals, overhead, goodie table, and ambient room miking.
Characterized with a uniformly controlled cardioid polar pattern, the f9 is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. The f9 features a 16 mm pre-polarized capsule with gold vapor diaphragm and a frequency response of 40 Hz – 20 kHz.
The f9 is very easy to position, durable and manufactured with high standards and tight tolerances. Roadworthy construction includes a precision cast zinc alloy body, black coat finish, laser etched model number, steel mesh grill, gold XLR connector and a tension-fit heavy duty nylon mic clip.
Ultimate Support JS-MC TB50 Tripod Mic Stand JSMCTB50
When it comes to miking sound sources that reside close to the floor (such as kick drums or amplifiers), you need the right tool for the job. The Low-level Tripod Mic Stand with Telescoping Boom fits the bill perfectly, boasting a tripod base for stability and an adjustable height of up to 19". The telescoping boom arm extends up to 29.25" and adds additional flexibility. The powder-coated finish keeps the Low-level Tripod Mic Stand with Telescoping Boom looking good through years of use.
